![]() It's true that if your script makes it to the second phase, the title could and probably would go through any number of variations based off of marketing and creative input from many individuals. ![]() Unwise advice that often makes the rounds is the notion that when you're writing on spec, the screenplay title doesn't matter because it's likely going to be changed anyway down the line. In the first phase, the purpose of creating a strong screenplay title is to stand out from the thousands of other spec scripts being distributed through the over-saturated spec market. The second phase is after the fact, when a screenplay has either been purchased by a studio or production company and is being produced, or after a concept has been specially developed by a producer or development executive, leading to the hiring of a screenwriter for the assignment. ![]() Which is to say that no one is hiring them to write the screenplay. The first phase comes during the spec writing process when a screenwriter is writing under speculation that their screenplay will be purchased and produced. Now, there are two phases of conjuring marketable titles for screenplays. In these contemporary times, companies and individuals have even tried to create algorithms to come up with what they feel would be the most marketable title for novels and movies.Īnd that's really what we're talking about here - marketability. Since the dawn of publishing, picking a strong title for a story has been a highly debated and profoundly explored subject. It could also be the writer's voice within the context of the script pages or even a special and unique character that hasn't been seen in movies yet.īut before all of that, what is the first contact that Hollywood has with any given screenplay that comes through their email inbox? The title. Often it's a strong and compelling concept. Therefore, screenwriters are tasked to do whatever they can to stand out from the rest. ![]() It's a sad truth that within Hollywood's over-saturated development platform, there are so many scripts to consider - and so little time. ![]() One of the most underrated aspects of a screenwriter's arsenal is their ability to create titles that jump off of the page and further entice the powers that be in Hollywood to take notice. ![]()
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